Christian Scott

Since 2002, Adjuah has released twelve critically acclaimed studio recordings, three live albums and one greatest hits collection. According to NPR, Adjuah “ushers in new era of jazz". He has been heralded by JazzTimes Magazine as "Jazz's young style God." Adjuah is known for developing the harmonic convention known as the “forecasting cell” and for his use of an un-voiced tone in his playing, emphasizing breath over vibration at the mouthpiece. The technique is known as his “whisper technique.” Adjuah is also the progenitor of “Stretch Music,” a jazz rooted, genre blind musical form that attempts to “stretch” jazz’s rhythmic, melodic and harmonic conventions to encompass multiple musical forms, languages and cultures.

The 2015 release of the recording Stretch Music marked the partnership between  Adjuah’s Stretch Music record label and Ropeadope Records. Critics and fans alike have praised the recording. Stretch Music is also the first recording to have an accompanying app, for which Adjuah won the prestigious JazzFM Innovator of the year Award in 2016. The Stretch Music App is an interactive music player that allows musicians the ability to completely control the practicing, listening and learning experience by customizing the player to fit their specific needs and goals.

In 2017, Adjuah released three albums, collectively titled The Centennial Trilogy, that debuted at number one on iTunes. The albums’ launch commemorated the 100th anniversary of the first Jazz recordings of 1917. The series is, at its core, a sobering re-evaluation of the social political realities of the world through sound. It speaks to a litany of issues that continue to plague the collective human experience, such as slavery in America via the Prison Industrial Complex, food insecurity, xenophobia, immigration, climate change, racial and sexual orientation and gender inequality, fascism and the return of the demagogue.

The trilogy includes Ruler Rebel, Diaspora and Emancipation Procrastination. Each recording vividly depicts Adjuah's new vision and sound via a new production methodology that stretches trap music with West African and New Orleanian Black Indian masking tradition musical styles. Ruler Rebel’s release coincided with the first annual Stretch Music Festival at Harlem Stage in New York. The Stretch Music Festival, created and curated by Adjuah for three consecutive years, explores the boundaries of Stretch, Jazz, Trap, and Alternative Rock with some of music’s most poised and fiery rising stars. The festival will resume its annual schedule in rotating global locations in 2022, in the post-pandemic live music world.

Adjuah released Ancestral Recall in 2019, which features poet laureate Saul Williams. Ancestral Recall aims to sharpen and expand upon its Stretch Music predecessors with a new focus on decolonizing sound.  Both Emancipation Procrastination and Ancestral Recall were nominated for Grammy Awards in the Best Contemporary Instrumental Album category.

Axiom, Adjuah’s 2020 release, is a live album recorded at New York’s Blue Note Jazz Club at the start of the pandemic lockdowns in the U.S. Around the globe, fans and critics alike herald Adjuah’s live performance prowess. Notable highlights include a sold-out Carnegie Hall concert and NPR’s Jazz Night in America global broadcast. With Axiom, music fans hear Adjuah and his stellar band live, once again. Adjuah is nominated for Grammy Awards in the Best Contemporary Instrumental Album category and for Best Improvised Jazz Solo for his performance on Axiom’s “Guinevere. Although all releases since Adjuah’s departure from Concord Records/Universal Music Group have earned top ten positions on Billboard Magazine jazz charts, the non-jazz classification of the last three Grammy album nominations substantiates Adjuah’s vision for Stretch music as truly genre blind. Adjuah, the recipient of a number of prestigious honors, also won The Herb Alpert Award in the Arts in 2020.

Since 2006, Christian has worked with a number of notable artists, including Prince, Radiohead’s Thom Yorke, McCoy Tyner, Marcus Miller, Eddie Palmieri, rappers Mos Def (Yasin Bey), Talib Kweli, and Vic Mensa, as well as heralded poet and musician Saul Williams. Adjuah scored his identical twin brother’s and Director’s Guild of America Award recipient, writer-director and Spike Lee protégé, Kiel Adrian Scott’s, Student Academy Award nominated film, Samaria. Other recent film credits include the inclusion of Adjuah in the upcoming Bill and Ted Face the Music, starring Keanu Reeves and Alex Winter, slated for release in 2020. He plays a member of The Future Council and contributes music for one of the films characters. Adjuah is also featured in the upcoming romantic comedy, The Photograph, starring Issa Rae and released in 2020. He appears in the film as himself and also contributes musically.

Additionally, through his partnership with Adam’s Instruments, Adjuah designed a signature line of horns, the Siren, Sirenette and Adjuah Trumpet/Reverse Flugelhorn, that are revolutionizing brass instrument design all over the world. His most recent musical instrument innovation is the new Adjuah Bow, a custom kamele n’goni gravi-hybrid, which he will debut on his next recordings.

Adjuah is a scion of New Orleans’ first family of art and culture, the Harrisons, and the grandson of legendary Big Chief, Donald Harrison Sr., who led four nations in the City’s masking tradition. The HBO series, Treme, borrowed the storyline and the name “Guardians of the Flame” from the group Adjuah began “masking” as a member of with his grandfather in 1989. In 2018, Tulane University’s acclaimed Amistad Research Center announced its archive of the Donald Harrison, Sr. legacy papers to highlight the Harrison/Scott/Nelson family’s contributions to the arts, activism, and African diaspora cultural expressions. The Harrison family’s story has been documented by Oscar winning director, the late Jonathan Demme, in his post-Hurricane Katrina filmic works.

Dedicated to a number of causes that positively impact communities, Adjuah gives his time and talents in service to several organizations which garnered him a place in Ebony Magazine’s 30 Young Leaders Under 30. He has supported or supports, through his time and talent, Each One Save One, NO/AIDS Task Force, Girls First, The Mardi Gras Indian Hall of Fame, Good Work Network, Black Lives Matter and numerous other community service organizations. Holding master classes, creating and participating in discussion panels, creating content, and purchasing instruments for youth music programs and individual youth musicians are all part of Adjuah’s community-based work. He has worked with Guardians Institute in New Orleans’ 9th Ward, which is dedicated to reading and fiscal literacy, cultural retention and a firm commitment to the participation of community elders and artists in uplifting and supporting youths in underserved areas of New Orleans. Adjuah also currently sits on the Board of The NOCCA Institute. Since Adjuah’s emergence on the jazz music scene, he has been a passionate and vocal proponent of human rights and an unflinching critic of injustices throughout the world.